Laidback DM: Pathfinder 2e Review

I bought copies of the Pathfinder 2nd edition Core Rulebook and Bestiary the other week, and after a solid read (they are over 600 and 200 pages respectively) here are my thoughts on the game.

Laidback DM- stevestillstanding.com
Pathfinder 2e is pretty awesome. But veeeeeeeeery time consuming.

Pros:

  • Great layout and design – tabs and index make it easier to find stuff. The PDF is also fully indexed (and where are your official PDFs, WOTC?! And don’t say D&D Beyond, because I object to paying again for content I already own).
  • Superior character options and customisation – you can customise characters very deeply. Ancestry and backgrounds give specific skills and feats. Character creation is straightforward and easy to follow. HPs are standardised, ability boosts add or subtract from a standard ’10 for everything’ array. The Alchemist class is cool!
  • Consistent advancement for every level. Hero points awarded allowing players to re-roll a bad roll or save themselves from death.
  • Alignment is closely tied to some classes – when doing stuff considered anathema to their alignments, Champions and Clerics must atone.
  • Action Economy – everyone has three actions, every activity has an action cost. You can choose to use the actions any way you want, which makes for more tactically focussed combat (movement counts as a standard action, so you can choose to move three times if you want). Much better way of managing actions.
  • D20 rolls incorporate Critical Successes (10 or more above the DC) and Critical Failures (10 or more below the DC) which can modify the outcome based on the check performed. Not as intensive as the spell success and failure tables in the DCC RPG, but a nice touch.
  • Well laid out spells – take up less space and are less vague and open to interpretation. Spells can be heightened, and this is consistently applied (unlike higher-level casting in D&D 5e).
  • Specific spell schools and domains mean less spell lists (but roughly the same amount of spells) as D&D 5e. Rituals are done by groups and make much more sense.
  • Specific Crafting rules – The crafting system is second to none. Rules for general, alchemical and magic items. Specific formulas and costs. No more guess work like in D&D 5e.
  • Levels instead of CR – you can now tell the level a monster or magic item is at a glance, and they’re not as misleading as D&D 5e CRs can be.
  • A detailed story world (Golarion) is fundamentally part of the ruleset. The roles of the gods and their alignments work in directly with Cleric and Champion classes.
  • Very much focused on grid-based combat, for those who prefer this approach to RPGs.
  • Well designed monsters that are just different enough from D&D 5e to keep things interesting.

Cons:

  • So much to read, so little time. The size and cost of the Core rule book may be a disincentive to new players.
  • Lots of ongoing record keeping needed during combat just for the condition effects alone, compared to D&D 5e.
  • Sometimes a rule that has been written to simplify is layered with additional rules to make it more complex, potentially defeating the initial purpose (e.g. Bulk replaces item weights for encumbrance).
  • Less core ancestries than D&D, with only the Goblin standing out as any different.
  • Don’t like Golarion? You’re going to be home brewing some things to fit the new system (e.g. as gods are closely matched to alignments and roles you will need to develop your own pantheon).
  • Don’t like playing on a grid? You can play ‘theatre of the mind’ but be aware it might get a bit tricky (see next point).
  • Big numbers involved in ability, skill checks and combat, especially at higher levels. If you’re not decent at maths you may balk at some of the numbers (e.g. one high level monster has an AC of 42). There is a high reliance on multiple bonuses (see the next point).
  • No Advantage/Disadvantage, one of the best new rules of D&D 5e. (Okay, so there is fortune and misfortune, which is the same thing, but it’s not used to the extent it is in 5e. In fact it’s a sidebar, more an afterthought).
  • Way too many conditions to remember. Luckily you can buy condition cards, if you want.
  • Even with that really well-designed character sheet, you may run out of room attempting to record all the information for feats and the like.

Summary:

  • Pathfinder 2e is a great game for tactical players who love deep character customisation.
  • The rules have been simplified overall, but retain enough crunch to either excite of annoy, depending on your preference.
  • Numbers get really big, really fast.
  • Combat is more tactical but will take longer to run and involve more record keeping.
  • Lots to read and remember – detail and specificity are the middle names of this game. If you are a less is more person, this may not be the RPG for you.

I haven’t had the chance to run a game yet, but I can imagine my maths-deficient players getting their calculators out. Some of the systems are better designed than D&D 5e, while others just make things far more laborious. There is a level of specificity in the rules that eliminates a lot of uncertainty common in other RPGs. I imagine Pathfinder 2e games will take longer to run then D&D 5e. I like it, though!

Good on you, Paizo—a great update that finally sets Pathfinder apart from D&D, and in many good ways.

Game on!

Steve 😊

PS I’m not bagging D&D 5e – I love the game and play it every week. Heck, it’s how I make my living. Given Pathfinder 2e’s roots, though, it was easiest to compare.

For more Laidback DM, click here.

For Laidback DM products, in print/PDF/digital, visit https://www.drivethrurpg.com/m/browser/publisher/13989.

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Your Eyes, an Ocean. A poem.

Your eyes, an ocean

Setting me adrift at sea
Just one miscalculation
and
Suddenly there’s
No star to guide me

Your eyes, an ocean

Subtle ocean homily
Expounding on a sailor lost
and
Anxiously not
Where he’s meant to be

Your eyes, an ocean

Given a sextant to perceive
Directly and indirectly
and
This distance made wider
Between you and me

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Laidback DM: Keeping Secrets

Are you one of those DMs who finds it hard keeping secrets from your players? This may be the case if you see your players regularly, through work, school or at the pub, and enjoy talking about your game. You may find it’s hard not to blurt out some spoilers.

Telling secrets about your game may make you feel good, but does it make the players happy?

But think about it. Spoilers are exactly what they mean. Your players look to you as a DM to not only provide them with a night of entertainment, they also trust you as a referee, game runner and friend. If you tell them secrets about the campaign, what else are you letting slip? This could lead to concerns about non-gaming stuff they tell you in confidence, questioning your overall integrity as a person.

What are some ways to stop?

Journal – record your thoughts, so you want to talk about them less. Use your phone—who needs a paper diary, nowadays?

Think – before you open your trap. Spoilers spoil—it’s in the name.

Talk – not to your players, but to non-players. Unloading to others means less chance of spoilers for your players (as long as the non-player doesn’t tell them).

Play – maybe you’re not playing your games regularly enough. This can be tricky when your group has commitments, but talk with them about it. Maybe shorter games or a public venue, rather than someone’s house (why a venue? Sometimes people feel more obligated when it’s not just going over a mate’s place, plus there’s less onus on the house-owner to set up, clean up, etc.).

Do – make time for other stuff. Thinking about RPGs all the time is probably not ideal. Get your mind on other things—go out, go to the gym, drive, walk, see the country. Then come back and play RPGs!

So, stop the spoilers. Just think how much more exciting a reveal is for players when it’s unexpected.

Game on!

Steve

PS thanks to Chaoticcolors.net for the idea for this blog 😊

For more Laidback DM, click here.

For Laidback DM products, in print/PDF/digital, visit https://www.drivethrurpg.com/m/browser/publisher/13989.

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Upstart Photographer – Knighted Tree

Poetry and photography, live together in perfect harmony (to paraphrase Paul McCartney).

Cheers

Steve 🙂

Knighted Tree - stevestillstanding.com

Knighted Tree

Armoured and encrusted
Barnacled and salted
Prepared to joust
For your ocean’s honour
Your everlasting foe
The ever-shifting shore

For more Upstart Photographer, click here.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Laidback DM: Easier Encumbrance

Do you use the encumbrance rules as written in 5e? I don’t. I find them…cumbersome, if you’ll excuse the pun. Of all the rules brought across from the various old editions, counting weight in pounds and applying it to a factor multiplied by strength is just tedious. There’s enough math in the game without that as well.

So, time for some simpler rules. Here’s some, borrowed and slightly modified, from a great little game recently launched on Kickstarter, called Five Torches Deep.

Five Torches Deep TRPG
Five Torches Deep is a cool 5e/OSR crossover game, I recently supported on Kickstarter. Find it on DrivethruRPG!

All item weights are expressed as Load, which reflects the weight and bulk of an item. Small items and weapons (such as a dagger) weigh 1, medium or bulky items and large weapons weigh 2. Light armour weighs 1, medium armour 2, heavy armour 4. 500 coins equals a load of 1. Some items will have negligible weight, such as a single scroll, and don’t count towards Load (although a scroll case with multiple scrolls would weigh 1).

A PC can carry their Strength value in Load e.g. STR 18 = 18 points of Load. If they go over their limit, they are encumbered and suffer a 5 foot movement penalty per point of load over their Strength. They also suffer Disadvantage on ability checks, saves and attacks. When their movement reaches zero they are over-encumbered and can’t move. They’ll have to shed something.

For example, a Rogue has Strength 12. He carries his backpack (1), a dagger (1), a short sword (1), long bow (2), quiver of 20 arrows (1) full waterskin (1), 2 weeks of rations (2) a bag of marbles (negligible), 50 feet of rope (1) and wears Leather Armor (1). This brings him to 1 under his limit. He could carry a further 500 coins (1) of treasure, but any more and he’s over the limit—his movement would be reduced by 5 feet for each point over and his ability checks, saves and attacks would be at Disadvantage.

Easy to work out and apply, right? And much less cumbersome.

Game on!

Steve 😊

For more Laidback DM, click here.

For Laidback DM products, in print/PDF/digital, visit https://www.drivethrurpg.com/m/browser/publisher/13989.

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Laidback DM: Alignments in Games

Alignments are a leftover from the days of old school role playing. Originally there were three—Lawful, Neutral and Chaotic. Then Mr. Gygax decided in AD&D that he’d spice it up a little by adding Good, Neutral and Evil suffixes to provide a bit more clarity. But are alignments necessary in a D&D game?

Players and DMs generally fall into two categories when it comes to alignments—you either love them or hate them. There doesn’t seem to be a sit-on-the-fence (or neutral!) option here. Personally, I don’t like alignments. I think players like the freedom to play their character how they wish, and alignments are just not that important in running the game.

Cave exit
Escaping the confines of alignments…

That’s not to say alignments are a complete write off:

Pros:

  • They make it easy to role play NPCs and monsters because they provide a basis for their motivation.
  • They provide players with some guidance as to how they might play their character.
  • They can create interesting conflicts for parties containing characters with wide-ranging alignments.
  • The rules are set up to use alignments, particularly where aligned magic items are used or in certain magical areas or traps that only affect specifically aligned characters.
  • They make it easy to tell who the good guys and bad guys are, thus ‘aligning’ the story with traditional high fantasy tropes.

Cons:

  • Players may feel restricted by having to ‘fit’ their role play to the alignment they’ve chosen.
  • Conflict between opposite aligned characters may feel ‘manufactured’ or meta-gamed, rather than natural.
  • DMs may feel restricted by an NPC’s or monster’s alignment e.g. that monster is Chaotic Evil, he would never do something to help out that party!

In the end, everyone has good and bad in them. Nothing is black and white in the real world, and role playing games are a bit like that, too (at least mine are). I don’t believe in the need for alignments, but I can see how they can be useful in helping to guide a player’s ethical decisions. When I’m playing an NPC or monster, I ignore alignment altogether and do whatever fits the story best.

In the end, whether you use alignments or not, you decide how they work in your campaign. Like many of the peripheral rules in TRPGs (i.e. rules that could be considered non-essential) they don’t really make much difference to how the game is played. Everyone will still have fun, whether you use them or not.

And that’s what the game’s really about.

Game on!

Steve 😊

For more Laidback DM, click here.

For Laidback DM products, in print/PDF/digital, visit https://www.drivethrurpg.com/m/browser/publisher/13989.

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Binge. A poem.

Timed and untimed,
A chaos of raindrops
Upon a sleepy roof
Filling gutters and trailing
Spume in snail trails
That wind their way
Drinking toasts to those
Whose evaporation
From the scene
Left such a hole
In awkward conversation.

The clink of glass
And amber froth
Disappeared in the wake
Like reeling in the catch
To be emptied later
Upon the deck
Before the toilet door.
Memories worth
Fighting for
But such a waste
Of good beer.

The last call
Of siren nights
A gentle gutter bed
For swift repose
And nights better off
Misremembered
Than recalled
Until the next
Your head laid upon
The tiers and tiles
Perhaps better off dead.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Laidback DM: Shotglass Adventures II available in print!

The products from my last Kickstarter, including Shotglass Adventures II, are now available in PDF/print on DrivethruRPG.

Here’s a look at the printed version of the book:

SHOTGLASS ADVENTURES II

For D&D 5e and other OSR fantasy role playing games.

• 10 one-shot adventures for characters of 6th-10th level, including murder, dungeon crawl, gauntlet, planar, puzzle, quest, siege, sci-fi. Minimal preparation required. Each adventure can be run individually or played as a mini-campaign. Over 50 hours of gaming content

• 25 New Monsters

• 17 New Magic Items

• 2 New Ships, compatible with the ship rules in Ghosts of Saltmarsh

• New playable race – Sh’Vy’Th (Sherviath) Elves! Refugees from fascistic forest city-states ruled with an iron grip by the Pale Lords…

• Information on the Invician Empire to support campaign play

• A map of Verona Province, complete with every adventure location

• OSR conversion advice

• Bonus tips for DMs

• Bonus full color and b&w maps with adventure seeds for you to use in your own adventures

You can buy these new products at https://www.drivethrurpg.com/m/browser/publisher/13989

Game on!

Steve 😊

For more Laidback DM, click here.

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Laidback DM: Playing in the Sandbox

So what exactly is a sandbox? And how does it relate to RPGs? ‘Sandboxing’ is where you let your players loose in the world to do whatever they want. Give them a map and they decide where they go and what they do. Consequently, the world is built around their actions.

It’s a bit like computer games such as Skyrim and GTA—if you don’t follow the main story quest you can literally play in an open world sandbox, and do almost anything you want. But computer games are limited by their code, system memory and processing power. TRPG sandboxing is not.

For new DMs, sandboxing can be scary. With the players left to do what they want, go anywhere and do anything, it’s up to you to respond and create interesting NPCs, story, sidebars, and world building while they do it. Obviously you’ll have a little something pre-prepared, but it might not get used as the players may decide on a different course of action. You have to constantly think on your feet and improvise, and this can be daunting for some.

Laidback DM - stevestillstanding.com

So how do you prep for and run a sandbox campaign?

  • Learn to improvise. Let the PCs make the decisions and let your logic and creativity respond to their decisions.
  • Let the players help design the world. Your players are a source of joint creativity here—use them!
  • Use random tables. Random names, random towns, random locations, random quests – there are loads of supplements and online tools out there for generating content on the fly. Have them on hand to use during the game. Shotglass Adventures volume 1 has a bunch of useful tables in the back – shameless plug.
  • Keep lots of notes – as you create stuff with your players, keep notes so you know what you did in that session (this is a given in any DMing session, but it’s even more important with sandboxing as you don’t want the PCs going back to a town you created on the fly only to find you’ve forgotten all about it.
  • Have some one-shot adventures on hand to slot into the campaign and save some prep time. The party might not take the bait but you’ll feel happier knowing you had them (this feels like a great time for another shameless plug – Shotglass Adventures volume 1 and 2 are ideal for this).
  • Have a few random maps on hand, for towns and dungeons (hark! Time for yet another shameless plug – my own Connectable Fantasy Town Maps and Old School Maps for RPGs are perfect for this).
  • Don’t panic! Your players are going to do unexpected things. That’s what they do. Don’t stress—just go with the flow.

Pros:

  • Creativity unleashed!
  • Everyone is fully involved in creation
  • Will take your campaign in directions you never expected

Cons:

  • Can be difficult to plan for
  • Often more resources are required at the gaming table
  • Some players prefer more structured gaming approaches
  • Pacing may be an issue
  • May be stressful if you’re not used to improvising on the fly

It may be that sandbox gaming is not for you. That’s okay. There are plenty of other options for your game. And your players will have fun, no matter what.

Sandboxing is one of those things you might want to try out sometime. And who knows? You and your players may just love it. Then there’s no going back.

Game on!

Steve 😊

For more Laidback DM, click here.

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Too Many. A poem.

Too many regrets
upon my worn
and well-used slate,
to be reviewed
when l stand alone
at Heaven’s gate.

No just reward
for me, I’m told.
The chains won’t break
that bind me to
this certain and
uncertain fate.

I’ve tried my best,
or so I thought.
Never too late
to reverse the course,
to sail my ship, so
true and straight.

So much remorse,
that fills me up
with years of pain,
my tears resolved
by unceasing
and unending grace.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Laidback DM: Saving Throws – the Nat 20 Bonus

So you scored a natural 20 on that saving throw? Awesome. You passed. Doesn’t sound as great when you think about it, now does it. But what if you got something a little extra to celebrate with?

Here’s some ideas that won’t break the rule bank. Obviously you only get to choose one of these each time:

  • You get 20% extra experience point for making it through the trap. If no experience is allocated, you receive a 200 XP save bonus instead.
  • If making the save meant half damage, you now take a quarter.
  • If you made the save against an attack or poison, you now have resistance to that type for 5 minutes.
  • You gain an automatic save against the next save of the same type e.g. if it was a CON save, you make the next CON save automatically without rolling.
  • Your HP are topped up by 10. If you are already on max HP, you gain 10 temporary HP.
  • You gain Inspiration, which you can use to replace any D20 roll you fail.

So next time you roll that natural 20 during the save, look on the bright side and let Lady Luck send a little bonus your way.

Game on!

Steve 😊

For more Laidback DM, click here.

Shotglass Adventures at DrivethruRPG.com

Damn Fool. A poem.

Damn fool
Believing you’re good enough
Damn fool
For thinking you got it made
Damn fool
For believing in life and love
Damn fool
Taking belief to your grave
Damn fool
I still believe in you
Damn fool
Maybe you do, too

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Splitting the Party: strength in numbers? Nah!!

Every time I GM an RPG, whether it be D&D, Stars Without Number, Numenera, Kids On Bikes or another genre, the players take it upon themselves to split their party because some want to do one thing and others want to do another (usually because strong personalities compete). And every time they do it, the separated weaker parts of the whole inevitably suffer.

I have no problem with players splitting up. I can handle multiple groups and jump back and forth to keep them engaged. I can modify stuff on the fly so they are not overwhelmed unnecessarily by their enemies. But that doesn’t change the fact that the sum of the whole is generally better than the individual parts.

Where’s my backup?!
Where’s my backup?!

An example: in a recent playthrough of the Sinister Secret of Saltmarsh, the party decided to split up to check out the gardens around the old manor. A few checked out the back yard. One investigated the burrow under the rose bushes. A couple decided to see what was in the well.

The solo crawl down the burrow didn’t end well, but the PC’s screams of pain brought the rest of the party running from the backyard, so they were able to pull them out and stabilise them (as well as kill the poor giant weasels that were just defending their home).

Down the well went perhaps the party’s weakest character, with the stronger character controlling the rope. Poisonous snake attacks later, dead PC pulled back out.

Would this have gone better with the full party at both scenes? Probably. With more party members, more than one may have descended the well. Perhaps they would have left the burrow alone, or perhaps used fire to smoke out any inhabitants first.

My point is, strength in numbers is not just about raw fighting or magical power—it’s about the ideas the group bring to the table. More heads may come up with interesting solutions where only a few might not.

I don’t really mind parties splitting up. It makes for interesting play and certainly ups the tension (and makes for some pretty funny outcomes). Sometimes splitting the party is necessary for the adventure, but in that case the players would normally be working to a plan (nothing may go according to the plan, but it’s the thought that counts). Players often forget that ‘many = strong’, no matter how long they’ve been playing RPGs. Oh well…

Game on!

Steve 😊

For more Laidback DM, click here.

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Rainfall. A poem.

Pale droplets cascade
Down gray-faced facades
Of dimpled iron will
Collecting the residue
Of dusty acrimony
Along their chaotic
Weatherbeaten paths.

Pools of mercury
Dance in the afterglow
Rising and falling
To the somber occasion
And recalling times
And memories lost
Abandoned in twilight.

Rain, let it fall on me
And remind me of myself
As only I remember
And only I forget.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Fantasy Maps – hand drawn vs. digital

I’m a huge fan of maps. I draw lots of them, and occasionally give them away free on this site. But I’m a bit old school when it comes to my preferences. I love hand drawn maps, but I’m not a fan of digital maps.

Laidback DM - Connectable Town Maps 2

Why don’t I like fully digitally created maps? They take just as long as hand drawn ones, and arguably are just as good or sometimes even better looking. For me, purely digital maps look a bit too much like a computer game, and often they look a bit artificial. The really good ones look a bit TOO good. In many ways, they get away from the idea of a pre-tech fantasy world.

But hand drawn maps? They fit the fantasy setting. When I see a good hand drawn map, it invokes warm, fuzzy feelings and feels as if it was drawn by a cartographer on an actual fantasy world. It’s more in keeping with the games I play and the main reason why I will never go ‘full digital’ (I hand draw my maps and then color them digitally in photoshop, but that’s only because I’m an awful painter).

Laidback DM - Map Stretch Goal2

There are a number of old school, hand drawing cartographers out there. Many provide their maps for free or have patreon sites where you can get regular maps for a low price. Here’s a few of my faves:

Game on!

Steve 😊

If you like old school, hand drawn maps, check out my own maps at https://www.drivethrurpg.com/m/browser/publisher/13989

For more Laidback DM, click here.

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Today/Tomorrow. A poem.

Today:

All at once, there’s no one there,
the dark, an isolation tank.
The world outside faded away,
a post-apocalyptic prank.

Tomorrow:

The light here that lingers on,
electric in the morning dew.
This joyous, often mellow song
that shows it’s face to me and you.

Today:

I’m excommunicated, now,
shunned, it seems, by those I love.
Black hole, it lingers here, anon,
crushing fractious head above.

Tomorrow:

Perhaps, I overthink too much.
Every thought, catastrophe;
maverick mountains, molehills grown
in usual, post-haste anxiety.

Today/tomorrow:

My burden and my onward sorrow,
a division so intensely personal.
The fate that I must always follow
—black dog consumes his fill of offal.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Flanking: Good Team Work or Unbalancing the Game?

Flanking is an optional rule in D&D 5e, generally used with miniatures (although you can also use it in theater-of-the-mind combat if you want—I do). Flanking is where two or more miniatures ‘surround’ another (which we’ll call the 3rd), on directly opposite sides. The theory is that the 2nd miniature is distracting the 3rd while the 1st attacks, granting Advantage to the 1st’s attacks (and then the 2nd’s, if they are still in the same position when their turn rolls around). Flanking applies to melee attacks only. Sorry, archers—you already get it pretty good (especially if you’re a Rogue).

If my description is a little unclear, here’s the official rule from the DM’s guide: “When a creature and at least one of its allies are adjacent to an enemy and on opposite sides or corners of the enemy’s space, they flank that enemy, and each of them has Advantage on melee attack rolls against that enemy.”

Flanked!
Yep. She’s flanked by Goblins.

Not every DM uses the flanking rule, but it is an option that enables the party to think more tactically (and in more of a meta-gaming way, if you want to think of a downside) in combat. Much like the use of special abilities using bonus actions that stun or trip opponents to give Advantage first before your actual attack action, the flanking rule means players will tend to think how they can get an Advantage in any fight by flanking opponents any opportunity they can. Having finished off a monster, a player might deliberately move behind another monster to allow one of their team mates an opportunity to move up to the opposite side and have Advantage on their attack.

Flanking does have a downside to play – battles with miniatures tend to be more static, as inevitably those monsters or PCs escaping the flanking situation tend to be subjected to opportunity attacks as they move out of the flanked situation. Thus they hold their ground more often.

Multiple flanking is where a miniature is surrounded on all sides, with each character directly opposite giving the other Advantage. This makes short work of big monsters, but also means the characters can be damaged more easily as they are all in close combat with a major beastie (I roll randomly to see who gets hit in these situations, simulating the monster flailing around it to try to get out of the situation. Unless it’s two sizes bigger than the PCs, and then it can step over them).

Does flanking unbalance the game? That depends. If you’re the sort of DM who likes to use small numbers of more powerful opponents, the PCs can gain the upper hand if they can use their superior numbers to constantly flank. If you prefer to use large numbers of weaker monsters it makes them more effective as they can use flanking tactics to hit the PCs more often and wear them down. With flanking, even large numbers of low-level Goblins can wear down higher-level melee-based characters. I don’t believe flanking unbalances the game. It just means both players and DM need to think more tactically when using the rule.

So, if you’re not currently using flanking, you may wish to consider it. And remember: players may get Advantage from flanking, but monsters do, too.

Game on!

Steve 😊

For more Laidback DM, click here.

Time to drive. a poem.

The manual transmission
sticks at times,
a reminder that we
need a service and I
need to find a new place
for my engine to unwind.

There was a time
when things were simpler,
when you could change
the sparks yourself.
But now it’s all computers,
and instruments
and waxing/waning moments
in technicolor
and surround sound.

Now, I need to feel
the road beneath my wheels
and roam free of this room
that encapsulates
and encourages me.
I don’t believe
you would appreciate
this fresh and wise
perspective.

Now, it’s time to drive.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Critical Hits – spicing up the natural 20 in D&D 5e

So, you rolled a 1 on d20 attack roll. It means you categorically missed, no matter what your modifier. The opposite goes when rolling a 20 on d20 attack roll. You hit and get to roll your weapon’s damage dice twice, adding any relevant modifier after.

Laidback DM - stevestillstanding.com

I’ve seen lots of items supporting Critical Fails (check out my own Critical Fumble cards as an example – Shameless Plug), but not so much with Critical Hits. This is probably because there is already a rule providing double damage when rolling the golden 20.

Be that as it may, here are some additional options for critical hits that won’t unbalance your game.

The player gets to choose to do the standard damage dice twice + modifiers, or take one of the following options:

  • Instead of damage, the player gets to stun, blind or knock the opponent prone for one round.
  • Instead of damage, the player is entitled to a bonus action disengage (assuming they have a bonus action available).
  • Instead of damage, the player gets an additional attack action (i.e. if the player has more than one attack per action they get multiple attacks again).
  • Instead of damage, the player gets 25% more experience if the monster is defeated (this can be cumulative if the option is taken again).

When all is said and done, there’s no real need to house rule Critical Hits. But it does bring a bit more variety into combat, and everyone loves that.

So, what critical hit bonuses (if any) do you use in your game?

For more Laidback DM, click here.

Curious. A poem.

Mister curious

Digging up questions
And quotients
And seeking answers
Undivided, yet multiplied

How curious
Can one man be
In a world where
Everything
Is laid out plain to see?

Keep digging

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Expectations. A poem.

How often do expectations
Let us down?
How often do we strain
And stretch the imagination
In a tug of war
Of real and immaterial
And how often do we fail
Because we thought
Just a little too much
And a little too long
A little too wild
A little too strong
How often do expectations
Let us down?

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

No Muse. A poem.

I have no muse
And so my words
Flow winsome
And aimless
Waltzing on
To chaotic beats
And tiresome chords
Waiting for one
To lead me back
To place my foot
Upon the boards
To find the fire
And burn it bright
To shape the cadence
Of my heart
Until I should sway
And careen
And relive the light
Of ecstasy
In every word and
Cache of thought.

I have no muse
But she exists
In mind and soul
A vast horizon
That flows beyond
The scope of my
Fevered thoughts
And vacant brow.

Perhaps I shall write
Of her now.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Consequential Rage. A poem.

I tire of being a wanderer,
of petty inconsistency
and introverted wiles,
bickering and bleating
in this bleak and vast
apogee of mind.

I wanted to be confident,
full of vanity and fire
—an actor on a stage—
such eloquence, so wild,
such convoluted things to say,
so naked in his pride.

But my mind said not
to question why I am,
why I think this way.
Why my heart transcends
and acquiesces,
it’s just the price I pay.

And so this tired wanderer
does blunder on and on,
making ripples in his wake
until his song is sung—
a mournful theme that sets
this sorry world aflame.

Until the curtain
and the page
draw to a close
this meaningful and
consequential rage.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Shotglass Adventures 2 Preview

Hi all,

Here’s a little preview of the adventures and contents of SA2, currently on Kickstarter!

The adventures are for D&D Fifth Edition (the current version of the game) and Old School Revival (OSR) games like Swords and Wizardry, OSRIC, White Box and Dungeon Crawl Classics (to name a few). Here’s a taste:

I’ve upped the ante with my design work and maps on SA2! Here’s what some of the pages look like:

There’s also a digital maps package available with a royalty free license to use the maps in your own projects. Here’s some of the maps (over 35 + bonus stretch goal maps):

Hope you like the preview!

If you want to support this project, click on the link below.

Game on!

Steve 🙂

For more Laidback DM, click here.

Support the Shotglass Adventures 2 Kickstarter at
‪https://www.kickstarter.com/projects/laidbackdm/shotglass-adventures-2-10-adventures-for-dandd-5e-and-osr-rpgs‬

Scene, Set and Match. A poem.

Scene: a small, Italian restaurant.

Two newly-matched.
Time set aside.
Something right
and something wrong.
Laughter and humility.
Understanding and empathy.
Certainty and unreality.
Scene, set and match.

Let’s do this all again,
shall we?

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Shotglass Adventures 2 Kickstarter is ALIVE and KICKING!

Addendum: The funding goal was achieved in 6 hours, six times faster than the previous campaign! Now happily moving into the stretch goal phase! YAYY!

Steve 🙂

———————————————————————————————–

Hi all

My second Shotglass Adventures book for D&D 5e and OSR fantasy role playing games is now live!

If you’re a role playing gamer, you’ll love this project – the last one delivered lots of free additional content and was delivered a month ahead of schedule, so get on board!

Play on, fellow gamers

Steve 🙂

For more Laidback DM, click here.

Support the Shotglass Adventures 2 Kickstarter at
https://www.kickstarter.com/projects/laidbackdm/shotglass-adventures-2-10-adventures-for-dandd-5e-and-osr-rpgs

Shotglass Adventures II is Coming!

SHOTGLASS ADVENTURES II is the sequel to the successful Shotglass Adventures Volume 1 Kickstarter in March!

Published under the OGL and compatible with 5e and other OSR fantasy role playing games, SHOTGLASS ADVENTURES II  is currently 52 pages long, but will be longer once stretch goals are included. Inside you’ll find:

· 10 ‘adventure-on-a-page (or two)’ one-shot adventures of all varieties – murder, dungeon crawl, gauntlet, planar, puzzle, quest, siege, sci-fi – complete with additional DM and player maps! The adventures are for PCs of 6th – 10th level, designed for minimal preparation and flexible delivery. Each adventure can be run as a ‘fill-in’ for 1-2 gaming sessions (3-4 hours per session) or played as a mini-campaign. Over 50 hours of gaming content!

· 25 New Monsters + 10 Monsters from Kobold’s Tome of Beasts + 6 Monsters from Kobold’s Creature Codex! 5e stats included! New monsters include the Devil Door and the alien Sargalith Swarm!

· 17 New Magic Items! New items include the magic-dispelling Spongebob Squarebub and the consciousness-altering Phenol’s Mindswapper!

· 2 New Ships! Compatible with GoS!

· An all new playable PC Race – Sh’Vy’Th (Sherviath) Elves!

· Notes on the Invician Empire to support campaign play!

· An updated map of Verona Province – the region the adventures are set in, complete with every location used in SHOTGLASS ADVENTURES II!

Kickstarter4

I’ll post here as soon as I’m ready to launch!

Cheers

Steve 🙂

Godzilla 2: King of the Monsters. A movie review.

No spoilers!

If you like oversized beasties ripping buildings apart you’re gonna love this pic. Even the family drama at the centre of the movie was good.

I enjoyed the first Godzilla a few years back, and then Skull Island, the Kong movie set in the same cinematic universe. This sequel works as well as the others, setting up Godzilla as the dude Kong will fight in the next movie. Monarch, the semi-secret monster-hunting organisation is back, this time with husband and wife scientists (Vera Farmiga and Kyle Chandler) and their daughter (Millie Bobbie Brown) working with them. There’s a new eco-terrorist (Charles Dance) determined to set the various ubermonsters free and return the planet to a more natural state, but one of the Titans turns out to be more than Monarch can handle.

One problem—Monarch, an almost faceless organisation, is the human link between all the movies, but none of the recognisable characters stay for long, so there’s no one for viewers to emotionally connect with over time (something the Marvel movies do so well). The character development and acting in Godzilla 2 is great, but it doesn’t seem to be enough to just have a big monster as the thing that brings audiences back each time. I’m hoping some of the faces in this movie will be back for Godzilla vs Kong, because we need some likeable ongoing human characters to root for.

Godzilla 2 was enjoyable and well worth a watch. The special effects were amazing! I’m just hoping the connective tissue between these movies becomes a little more recognisable.

Rating: B

For more Movie Buff ‘n Stuff, click here.

Guessed. A poem.

My guest, I guessed I knew you;
I was wrong, as I often am,
But fail to admit to.

My guest, you came and went away,
And left me wanting more,
As I have and will, for days.

My guest, I tasted the soul of you,
Guessed at the flavour, and,
Surprised, forgot the golden rule:

To love is, eventually, to lose,
No matter the guest
You guessed you’d choose.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Eternal Vacancy. A sonnet.

You are as far from my thoughts as you aren’t
Sequestered and dream-like, merely a ghost
Wandering hallways that lie black and burnt
My mind harks to you, once or twice at most
Another fills this shady vacancy
Whispering lonely hellos and goodbyes
From the shadows that long imprison me
Manufacturing bindings for the blind
She dances, in 3/4 time upon the floor
Her message, all rhythm and subtextual
Her presence awakens the flame amore
And like the jester, I play the fool

Like all of my misguided gestures
Lost eternal as her spirit sings

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Driven. A poem.

The prairie and the road calls,
A waltz of remembrance
Dancing along the asphalt,
Like a tumbleweed made of last regrets.

The stick shift clicks in place,
The tension defining its existence
mirrored on the driver’s face.

Wheels spin and smoke
And the car strides forth
Like the lion on the newborn veldt,
Hunting for the prey that will stoke
Each and every kindled fire.

Every junction calls his name,
A whisper passing by
Like a ghost of Christmas past,
A brief entanglement in a roadside motel
That’s far too short and soon forgotten.

The freeway calls to him,
The art majestic and the weary eye,
Casting all doubts aside.
The way of all things revealed,
Found and lost and soon to be received.

poetry books - stevestillstanding

For more of my poetry, check out Poetry for the Sad, Lonely and Hopelessly Endangered and The All or the Nothing, available in print or e-book formats.

Click here to find out how to get your copy.

Pokémon: Detective Pikachu. A movie review.

No spoilers!

I hate Pokémon. But my son dragged me to see this because of his lifelong obsession with the cute and annoying cartoon creatures, and I have to say…it wasn’t that bad.

Pokémon-less Tim (Justice Smith) finds out his estranged dad has died in a car accident and travels to Ryme City, where Pokémon live in harmony with humans. Most humans bond with a Pokémon, but not Tim. He meets Detective Pikachu (Ryan Reynolds) in his father’s apartment and after breathing a strange gas, realises he can understand what Pikachu says. Pikachu believes Tim’s father is still alive, so they team up.

What can I say about this movie? It’s definitely for kids or lifelong fans. The Pokémon are nicely realised in 3D animation next to their live action counterparts. They’re not as annoying as the cartoons where trainers throw pokeballs at each other and the doofus creatures fight (although there is a scene like that to keep longterm fans happy). There are a few amusing jokes along the way (it seems Reynolds is destined to do his Deadpool-shtick for the rest of his acting career – this version is a lot tamer, of course). The CGI is good, the creatures are cute and cuddly, there’s some cliches and a few nice twists in the story.

Whilst I’m not a fan, I didn’t mind sitting through Pokémon: Detective Pikachu. My son lapped it up. And he’s not exactly a kid anymore.

Rating: C (my son and other big kids who don’t want to grow up: B)

For more movie reviews, click

here.

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