Place and Setting. A writing perspective.

Yet another of my long-overdue university out-takes. Following is an answer to a question about establishing place and setting for stories, that I wrote several months ago for one of my writing subjects.

I moved back to my parents’ house after being away for many (Read: MANY) years and I’m now living in the room I had as a teenager. Rather than get maudlin, as I did when I first moved in, I now like to see it as a new start—a fresh beginning. Or a stopover on the long, world-weary road of incomprehensible mid-life. Take your pick.

But it’s the nostalgia of the place that grabs me every time. I look out the window to see a family of rabbits picking amongst the emerald remains and hear the continual hum and click-clack-clicking of rail wheels on the tracks beyond. Every time my toes feel the knobbed woollen carpet that’s been here for so many years: still in good nick, just a little wear, but a bit flatter (like me); every time I look at my parent’s smiling faces, all wrinkles and sunshine (they obviously haven’t had to put up with me for long); every time I walk the old streets remembering handball at the bus stop and ducking swooping magpies in the spring, the scent of rain on the grass flats and long, sweat-soaked summers without a pool. Like the murky rooftops and telegraph poles marking time in the distance, it’s a wary combination of old and new, making me dream of yesterday, moan about today and hope for tomorrow.

It got me thinking about how place has such a dramatic impact on the stories we write. The story’s setting can become a character as much as the protagonist and antagonists. But it’s more than just atmosphere or setting specifics. It’s all in the way the setting evokes something that connects with the reader—maybe they can relate to it in the way something felt or looked, or smelt. Maybe they marked time for a while in a sunny backwater, too.

Recasting familiar settings for stories works. We take what we know and we forge it into something new. Authenticity is something I’ve discussed with a writer friend of mine. I always say (and I’m sure others have said this, too): “the reader knows when you fake it”. It doesn’t matter if the setting you’ve created is in the far future, your home town or a fantasy kingdom, it’s the feeling that you put into it, driven by your own experiences and emotions, that makes the difference. Lord of the Rings wouldn’t be the same if JRR Tolkien didn’t infuse the setting with not only his expansive research in languages and mythology, but also his love of the countryside he grew up in.

I find that I tend to rely more on recall than on visits to and notes about areas, but I’m lucky that I have a decent memory. And we all have an extensive lifetime of experiences—sights, smells, emotions, nostalgia—to build our settings with.

Every story we write, we build a place to call our own.


Steve 😊

Published by stevestillstanding

I’m a writer who loves tabletop role playing games, poetry and (you guessed it) writing. Occasionally I have something to say...

10 thoughts on “Place and Setting. A writing perspective.

  1. Steve, your story is so similar to mine in where we ended up (so far) that it astonishes me as I read this. I am glad you have a positive outlook, as do I, and wish you the best. Great read – btw.

    Liked by 1 person

    1. Thanks, Melissa. It’s funny how many are in a similar situation. At my age I never expected to be living with my parents again lol. But it’s not all bad. Three squares and the clothes washing done (now I’m sounding all misogynist. Just ignore that last statement) 😉

      Liked by 1 person

  2. You’ve just proven that words are very powerful indeed much more when combined with great imaginations. You’ve successfully taken me or your readers into your world! I hope I can learn from you more!

    Liked by 1 person

  3. Very insightful post. Nostalgia is quite a strong and sometimes overwhelming feeling. It even makes me uneasy in some cases, when one thinks past lost entirely. On other days it is warm feeling to embrace: walking through an autumn forest, light shining through the canopy. Chestnuts on the path, some split open, some soft and fresh. It takes me right back to collecting them as a small boy and crafting animals and figurines out of them with matchsticks. The only catch is obviously to evoke a similar feeling in a reader that may not share such an experience. I guess if it a genuine feeling one can contaminate readers and share it with them in a way. Anyhow, good food for thought your post and a welcome read.

    Liked by 1 person

    1. Thank you! Yes, it’s that sense of authenticity that helps establish a setting. Building a connection with the reader is our job as writers, and hopefully we do it well enough to make that setting real to them 🙂


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