Okay, so I got tired of writing dark poetry. This one’s a little amusing. And 5/7/5 syllable Haiku’s are entirely appropriate for short-lived non-romances.
This is based on my own experiences, of course. I’m sure other people have a great time on their online dates. Continue reading Online Date Tragedy. A Haiku Trilogy.
Here is a linked list of every poem I’ve composed on my blog, so far. Hope you like them.
Here’s to the wellspring never running dry. Continue reading The Wellspring
The 5/7/5 syllable structure of haiku allows for wonderful poetic experimentation.
My obsession with haiku in threes is almost like the compulsion I wrote about here. Continue reading ‘The Curious Mind’ – a haiku trilogy
I love writing Haiku – 5/7/5 syllabic compounds of poetic magic.
It’s like baking a very small, very tasty, cake. Only better. Continue reading Haiku(n see you)
How many times do I have to mention that I love Haiku and its 5/7/5 syllable structure?
Here’s three completely unrelated Haiku I wrote a few minutes ago. Continue reading Haiku x 3
I can’t escape those evocative 5/7/5 syllable structures.
I’m still composing in triplets, but not a trilogy, this time. Continue reading Haiku indeed
Ah, haiku. My favourite 5/7/5 syllable verse form.
Back to writing in threes, which seems to flow naturally for me.
There was a time when I used to drink a lot. I don’t drink anymore. And I’m better for it. Continue reading Broken Bottle. A Haiku Trilogy
The Japanese Haiku’s 5/7/5 syllable structure is a source of great enjoyment and wonder for me.
I don’t know why I write Haiku’s in groups of three. I just do. Continue reading Haiku very much
This came to me this morning. I love Haiku – it’s simple 5/7/5-syllable structure is challenging, but allows one to speak volumes with its brevity. Continue reading The Veil of Love. A Haiku Trilogy.
Some haikus I wrote – Japanese poems based on a 5/7/5 syllable structure. Like I said, I’m in a poem-writing mood. Continue reading Haiku, haiku, haiku. Bless you
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