Okay, a few people asked me this. I thought I’d oblige with a post.
I write the majority of my drafts on my iPhone, while I’m walking, watching TV, or sitting on the toilet (my compositional repository of choice). My writing very much depends on my mood and what has impacted me that day. I generally write better material when I’m depressed or in a dark state of mind.
As to process, I set up a draft on my iPhone, which is either edited or ‘done in one’ (a first draft not requiring edits). Generally, most of my drafts stay on my phone until I revisit them a few days or weeks later. My editing process includes reading the piece aloud, adding enjambment, line breaks, punctuation, altering words or lines as needed. I edit whenever I return to my notes on iPhone. Sometimes, I edit older poems after writing a new one. This also depends on the amount of time I have, location and mood.
Sometimes editing can change the meaning of one or more lines, which can subtly change the context of the overall poem. Sometimes it’s just a change in the words used to convey a metaphor or simile. Very occasionally the poem is scrapped and I start over with something completely different. Generally, I find something that I like in everything I write, even if it’s only a scrap of cloth. That scrap can be shaped into an everyday shirt or a tux, depending on my mindset.
My favourite poet is T.S. Eliot. I find a wistfulness and solemnity in his imagery and love the way he uses language to alternately hide and expose meaning within his poems. My favourite poem of his is The Love Song of J Alfred Prufrock; it moves me with the way it flows and insinuates its way into my emotions. He’s the sort of poet I aspire be; if my poetry was only a fraction of the quality of his, I would be happy.
Excerpt From The Love Song of J. Alfred Prufrock, by T.S. Eliot
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, “What is it?”
Let us go and make our visit.